Two Studies for the Figure on the Right (From 'The Lament') - Edward Burne-Jones
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A red chalk study by Edward Burne-Jones, these sketches capture the artist's exploration of form and emotion in preparation for his painting 'The Lament'. The delicate lines and melancholic mood make this a timeless piece for any art lover.
This red chalk drawing by Sir Edward Burne-Jones presents two studies for a figure in his larger work, 'The Lament'. Executed between 1865 and 1866, these sketches offer a glimpse into the artist's meticulous process and his dedication to capturing the nuances of human form and emotion. Burne-Jones, a key figure in the Aesthetic Movement, was deeply influenced by the Pre-Raphaelites and classical art, which is evident in the graceful lines and melancholic mood of these figures. The drawing features two seated nude female figures, each rendered with delicate detail. The upper figure is hunched over, her face obscured by her hands, conveying a sense of sorrow or introspection. The lower figure sits with her head resting on her hand, her gaze directed downwards, further emphasising the theme of lamentation. The use of red chalk lends a warmth and softness to the figures, enhancing their vulnerability and emotional depth. As a fine art print, this work brings a touch of Victorian elegance and artistic depth to any interior. Its subtle colour palette and refined lines make it a versatile addition to various decor styles, from classic to contemporary, adding a layer of sophistication and historical interest to your living space.
Two Studies for the Figure on the Right (From 'The Lament') - Edward Burne-Jones
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Premium materials
Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
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Museum-grade prints
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
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Crafted in the UK
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
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Ready to hang
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Edward Burne-Jones
Edward Burne-Jones, a leading light of the second wave of the Pre-Raphaelite movement, wasn't born into an artistic family. In fact, his early life pointed towards a career in the church. But a meeting with William Morris while studying theology at Exeter College, Oxford, set him on a different path. The pair were captivated by medieval legends and the Romantic poets, and together they abandoned their religious aspirations to pursue art and design. Burne-Jones, under the mentorship of Dante Gabriel Rossetti, quickly developed a distinctive style characterized by ethereal figures, rich colours, and a deep sense of melancholy. Burne-Jones's artistic vision extended beyond painting. He embraced decorative arts, creating stained glass, tapestries, and furniture, often in collaboration with William Morris's firm, Morris & Co. His designs adorned churches, country houses, and public buildings, embodying the Pre-Raphaelite ideal of integrating art into everyday life. Though he never formally joined the Pre-Raphaelite Brotherhood, his aesthetic sensibilities aligned perfectly with their principles, and he became one of the most influential artists of the late 19th century. His notable works, such as 'The Beguiling of Merlin', 'Love Among the Ruins', and the 'Perseus Cycle', showcase his masterful storytelling and symbolic language. Burne-Jones's art offered an escape from the industrialised world, inviting viewers into a realm of beauty, myth, and poignant emotion. His influence rippled through the Symbolist movement, inspiring artists to explore the inner landscapes of the human psyche.
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