Two Studies for the Figure on the Right (From 'The Lament') - Edward Burne-Jones
Archival giclée
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Description
A red chalk study by Edward Burne-Jones, these sketches capture the artist's exploration of form and emotion in preparation for his painting 'The Lament'. The delicate lines and melancholic mood make this a timeless piece for any art lover.
This red chalk drawing by Sir Edward Burne-Jones presents two studies for a figure in his larger work, 'The Lament'. Executed between 1865 and 1866, these sketches offer a glimpse into the artist's meticulous process and his dedication to capturing the nuances of human form and emotion. Burne-Jones, a key figure in the Aesthetic Movement, was deeply influenced by the Pre-Raphaelites and classical art, which is evident in the graceful lines and melancholic mood of these figures. The drawing features two seated nude female figures, each rendered with delicate detail. The upper figure is hunched over, her face obscured by her hands, conveying a sense of sorrow or introspection. The lower figure sits with her head resting on her hand, her gaze directed downwards, further emphasising the theme of lamentation. The use of red chalk lends a warmth and softness to the figures, enhancing their vulnerability and emotional depth. As a fine art print, this work brings a touch of Victorian elegance and artistic depth to any interior. Its subtle colour palette and refined lines make it a versatile addition to various decor styles, from classic to contemporary, adding a layer of sophistication and historical interest to your living space.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Two Studies for the Figure on the Right (From 'The Lament') - Edward Burne-Jones
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Edward Burne-Jones
Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.
Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.
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