A page from the early sixteenth-century Cronica Cronicarum, featuring a detailed genealogical diagram with woodcut portraits and letterpress text.

This print originates from the Cronica Cronicarum, a significant historical compendium published in Paris during the early sixteenth century. The page, identified as blad 13 recto, functions as a visual genealogy, mapping the lineage of historical figures through a system of interconnected circles and text blocks. The layout reflects the period's interest in organising human history into coherent, often linear, structures. The composition is dominated by a grid of circular medallions, each containing names and brief biographical summaries. These nodes are linked by thin lines, creating a web that traces dynastic successions. The inclusion of small, hand-coloured woodcut portraits provides a visual anchor for specific monarchs, offering a break from the dense columns of black-letter typography. The use of red ink for headings and specific borders serves to guide the reader through the complex information presented on the page. Technically, the work demonstrates the integration of relief printing and movable type. The woodcut elements, including the portraits and the circular frames, were printed alongside the text, a common practice for early printed books that sought to emulate the appearance of illuminated manuscripts. The aesthetic is functional rather than decorative, prioritising the clear transmission of historical data. The paper shows the characteristic texture of early modern printing, with the ink sitting slightly into the fibres. This piece offers a glimpse into how information was curated and consumed in the Renaissance, where history was often presented as a continuous, unbroken chain of descent. It is a document of both historical record-keeping and the technical capabilities of the early printing press in France.