Untitled (Scribble Composition) - Sol LeWitt
Archival giclée
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Description
A dynamic abstract composition by Sol LeWitt, featuring fluid, undulating lines in a bold palette against a bright blue ground.
This work represents a departure from the rigid geometric structures often associated with Sol LeWitt. While he is known for his systematic approach to art, his later gouache works introduced a more gestural, fluid quality. The composition consists of overlapping, undulating lines that traverse the surface in a rhythmic, non-linear fashion. These forms create a sense of motion against a bright blue background.
LeWitt utilised a limited palette of primary and secondary colours, including red, yellow, black, white, and grey. The application of paint is direct, showing the physical movement of the artist's hand. By focusing on the repetition of these serpentine shapes, the work explores the relationship between order and chaos. The lines do not follow a strict grid, yet they maintain a consistent density across the paper. This approach allows the viewer to observe the interaction of colour and form without the distraction of representational imagery.
As a practitioner of Conceptual Art, LeWitt often prioritised the idea behind the work over the final execution. However, these later gouache pieces demonstrate a shift toward a more tactile engagement with materials. The work functions as an investigation into the possibilities of the line as a primary element of visual language. It avoids traditional perspective, opting instead for a flat, decorative surface that engages the eye through its constant movement. The result is a balanced arrangement that feels both spontaneous and controlled, reflecting the artist's interest in the fundamental components of visual expression.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Untitled (Scribble Composition) - Sol LeWitt
Artist Biography
Sol Lewitt
He was born in Hartford, Connecticut, in 1928, to Russian Jewish immigrant parents. His father died when he was six. He drew on wrapping paper from his aunt's shop and took art classes at the Wadsworth Atheneum. He served in the Korean War, then settled in New York.
From 1968, he created over a thousand numbered wall drawings. He conceived them as musical scores that anyone could execute: a set of written instructions, carried out by other people, with the physical drawing destroyed after each exhibition. The idea, he argued, was the machine that makes the art. The execution was secondary. He championed and financially supported women artists who were being sidelined by the male-dominated art world. He refused to participate in celebrity culture and remained deliberately private. He died in 2007.
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