A 1645 etching by Wenceslaus Hollar depicting a young man from Virginia, rendered with the artist's characteristic technical precision.

This etching by Wenceslaus Hollar, titled Unus Americanus ex Virginia, dates to 1645. Hollar, a prolific Bohemian printmaker who spent much of his career in England, was known for his technical precision and his ability to document subjects with a high degree of observational accuracy. The print depicts a young man from Virginia, identified by the inscription as being twenty-three years of age. The subject is shown from the chest up, wearing a beaded headband and a necklace. Hollar employs fine, controlled lines to define the contours of the face and the musculature of the torso. The background is rendered with diagonal hatching, which pushes the figure forward and creates a sense of depth. The inscription in the upper corners provides the title and the artist's signature, noting that the work was drawn from life (ad vivam). This piece reflects the seventeenth-century European interest in documenting indigenous peoples from the Americas. Hollar's approach is characteristic of his broader body of work, which often focused on topographical, costume, and natural history subjects. The etching demonstrates his mastery of the medium, particularly in the way he captures the texture of the beads and the subtle shading of the skin. As a historical document, the print offers insight into how individuals from the New World were perceived and recorded by European artists during this period. The composition is direct and unadorned, focusing entirely on the individual subject. It remains a significant example of Hollar's portraiture and his contribution to the visual record of the seventeenth century.