A striking Meiji-era woodblock triptych by Kobayashi Kiyochika, depicting the use of electric searchlights during the 1894 Siege of Pyongyang.

This triptych by Kobayashi Kiyochika depicts a specific engagement during the First Sino-Japanese War. The scene captures the deployment of an electric searchlight by the Imperial Japanese Army during the assault on Pyongyang in 1894. Kiyochika, who was known for his mastery of light and shadow, employs a dramatic contrast between the dark night sky and the artificial beam of the searchlight as it illuminates the enemy fortifications. The composition is divided into three panels, typical of the format used for large-scale war prints of the period. On the left, soldiers operate the searchlight and artillery, their figures silhouetted against the gloom. The central and right panels focus on the beam cutting through the darkness to reveal the explosions occurring at the city walls. The artist uses a muted palette, dominated by deep blues and greys, which allows the warm, glowing oranges of the artillery fire to stand out with clarity. Kiyochika was one of the few artists of the late nineteenth century who successfully integrated Western techniques of light and perspective into the traditional Japanese woodblock medium. This work functions as a visual record of technological modernisation in warfare. It documents the transition from traditional combat methods to the industrialised warfare that defined the late Meiji period. The print serves as a historical document of the era, reflecting the public interest in the progress of the Japanese military campaign. The precision of the light beam and the atmospheric rendering of the night demonstrate the technical skill of the artist in managing complex lighting effects within the constraints of the woodblock printing process.