Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.










A delicate pencil study of Venus by Edward Burne-Jones, prepared for his 'Troy Triptych'. This drawing captures the goddess's classical beauty with refined lines and subtle shading, perfect for adding Pre-Raphaelite elegance to any space.
This exquisite pencil study by Sir Edward Burne-Jones (1833-1898) depicts Venus, the Roman goddess of love and beauty, holding the golden apple awarded to her by Paris in the Judgement of Paris. This drawing is a preparatory study for the left panel of Burne-Jones's monumental 'Troy Triptych', a series of paintings exploring themes of love, war, and fate within the context of the Trojan War. Executed around 1873, the drawing showcases Burne-Jones's mastery of line and form, capturing the goddess's classical beauty with delicate precision. The subtle shading and anatomical accuracy reveal the artist's deep understanding of the human figure, influenced by both classical sculpture and the Italian Renaissance masters. As a fine art print, this drawing brings a touch of Pre-Raphaelite elegance and classical mythology to any interior. Its monochromatic palette and refined lines make it a versatile piece, suitable for both modern and traditional settings. Display it in a living room, study, or bedroom to add a touch of timeless beauty and intellectual depth to your home.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Edward Burne-Jones, a leading light of the second wave of the Pre-Raphaelite movement, wasn't born into an artistic family. In fact, his early life pointed towards a career in the church. But a meeting with William Morris while studying theology at Exeter College, Oxford, set him on a different path. The pair were captivated by medieval legends and the Romantic poets, and together they abandoned their religious aspirations to pursue art and design. Burne-Jones, under the mentorship of Dante Gabriel Rossetti, quickly developed a distinctive style characterized by ethereal figures, rich colours, and a deep sense of melancholy. Burne-Jones's artistic vision extended beyond painting. He embraced decorative arts, creating stained glass, tapestries, and furniture, often in collaboration with William Morris's firm, Morris & Co. His designs adorned churches, country houses, and public buildings, embodying the Pre-Raphaelite ideal of integrating art into everyday life. Though he never formally joined the Pre-Raphaelite Brotherhood, his aesthetic sensibilities aligned perfectly with their principles, and he became one of the most influential artists of the late 19th century. His notable works, such as 'The Beguiling of Merlin', 'Love Among the Ruins', and the 'Perseus Cycle', showcase his masterful storytelling and symbolic language. Burne-Jones's art offered an escape from the industrialised world, inviting viewers into a realm of beauty, myth, and poignant emotion. His influence rippled through the Symbolist movement, inspiring artists to explore the inner landscapes of the human psyche.
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