A detailed 1575 engraving by Giorgio Ghisi depicting the Virgin Mary revealing the infant Christ to Saint Joseph.

This engraving by Giorgio Ghisi, dated 1575, depicts the Holy Family in a moment of quiet domesticity. The Virgin Mary gently lifts a translucent veil to reveal the infant Christ, who reaches upward from his bed. Saint Joseph stands behind them, observing the scene with a contemplative expression. Ghisi, a master of the burin, employs a sophisticated system of cross-hatching to define the forms and textures within the composition. The drapery of the Virgin's garments and the soft bedding are rendered with technical precision, creating a sense of volume and weight.

The work reflects the stylistic tendencies of the late Italian Renaissance, specifically the Mannerist interest in elongated forms and complex spatial arrangements. Ghisi was known for his ability to translate the works of other painters into the medium of print, often adding his own stylistic flourishes. The inclusion of Latin text at the base, along with the publisher's mark of Antonio Lafreri, situates this print within the active Roman print market of the sixteenth century. The interaction between the figures is intimate, focusing on the human aspect of the sacred narrative. The lighting is carefully managed, with the veil acting as a device to soften the transition between the figures and the background. This print serves as an example of the high level of craftsmanship achieved by Italian engravers during this period, where technical skill was balanced with a refined approach to composition and narrative clarity.