Vision of Ezekiel - Raphael
Archival giclée
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Description
A masterful High Renaissance painting by Raphael depicting the biblical vision of God supported by the symbols of the four Evangelists.
Raphael painted this work during his final years in Rome. It depicts the biblical vision described in the Book of Ezekiel, where the prophet witnesses the glory of God descending from the heavens. The central figure of God the Father is supported by the four symbols of the Evangelists: the eagle, the lion, the ox, and the man. These figures are rendered with the anatomical precision and grace characteristic of Raphael's mature style.
The composition is dynamic and compact. God is shown with arms outstretched, surrounded by cherubim who assist in his movement through the clouds. The golden light emanating from behind the figures creates a sense of divine presence, contrasting with the darker, more terrestrial view of the earth below. The painting demonstrates the artist's mastery of light and shadow, as well as his ability to organise complex theological narratives into a coherent visual form.
This small-scale work, likely intended for private devotion, shows the influence of Michelangelo in the muscularity of the central figure, yet it retains the balanced harmony associated with Raphael. The figures are arranged in a circular motion, suggesting a descent from the celestial realm. The colour palette relies on warm, golden tones to suggest the divine light, while the figures themselves are modelled with soft transitions. The work remains a clear example of the High Renaissance approach to religious iconography, where human form and spiritual subject matter are synthesised with technical clarity.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Vision of Ezekiel - Raphael
Artist Biography
Raphael
He was born in Urbino, the son of a painter. His father died when he was eleven, and by his teens he was already working in the studio of Perugino, whose smooth, symmetrical compositions gave Raphael his starting point. He surpassed Perugino quickly. He studied Leonardo's sfumato and Michelangelo's anatomical intensity and absorbed both without losing his own clarity. The Madonnas from his Florentine period (the Madonna of the Goldfinch, the Sistine Madonna) have a serene perfection that has been imitated for five hundred years and never matched.
Pope Julius II summoned him to Rome in 1508, the same year he commissioned Michelangelo for the Sistine ceiling. Raphael painted the Stanze della Segnatura: four rooms in the Vatican whose frescoes include The School of Athens, the single most famous image of classical philosophy. Plato and Aristotle walk through an ideal architecture surrounded by every major thinker of the ancient world. Raphael painted Michelangelo into the scene as Heraclitus, brooding alone on the steps. Michelangelo was furious.
He ran a large workshop that produced portraits, altarpieces, tapestry designs, and architectural plans. He was appointed architect of St Peter's Basilica. He was charming, diplomatic, and universally liked, which made Michelangelo dislike him even more.
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