A detailed genre painting by George Morland depicting a mother visiting her child in the care of a nurse, capturing the social customs of Georgian England.

George Morland, a prolific English painter of the late eighteenth century, produced this work as part of a series examining the social practice of wet-nursing. The painting depicts a domestic interior where a mother, dressed in the fashionable attire of the period, visits her child who is being cared for by a nurse. The composition is divided between the elegant visitor and the more modest surroundings of the nurse, who sits on a simple stool with the infant on her lap. A second child sleeps on a bed in the background, while another plays on the floor, adding to the narrative of daily life.

Morland was known for his ability to capture scenes of rural and domestic life with a focus on naturalism. His technique involves a controlled use of light, which emanates from the left, illuminating the figures while leaving the corners of the room in shadow. This chiaroscuro effect directs the viewer's attention to the interaction between the mother and the nurse. The clothing details, from the mother's hat and silk sash to the nurse's simple cap and apron, provide a clear visual distinction between the social classes involved in this arrangement. The inclusion of a small wooden toy on the floor serves as a reminder of the childhood setting. This work is one of a pair, often associated with its counterpart, 'The Child at Nurse', which depicts the initial departure of the child. Through these works, Morland provides a window into the social customs of Georgian England, documenting the realities of child-rearing practices that were common among the middle and upper classes of the time. The painting remains a representative example of the genre painting style that defined much of Morland's career.