A seventeenth-century Flemish oil painting by Gillis Peeters (I), depicting a rural water mill scene within an oval composition.

Gillis Peeters (I) was a member of a prolific family of Flemish painters, active in Antwerp during the seventeenth century. This work, titled Vossenjacht, demonstrates the artist's focus on the natural world, specifically the integration of rural architecture with rugged terrain. The composition is contained within an oval format, a common choice for cabinet paintings of the period, which encourages the viewer to focus on the interplay between the water mill, the rocky outcrop, and the figures in the foreground.

The scene depicts a water mill positioned beside a stream, with a waterfall cascading over rocks. The artist employs a muted palette of earth tones, greens, and greys, typical of the Flemish school of the era. The figures in the foreground, including a traveller with animals, provide a sense of scale against the imposing natural features. The sky occupies a significant portion of the upper composition, filled with soft, cloud-laden atmosphere that suggests a temperate climate.

Peeters was known for his ability to capture the textures of stone, foliage, and water. His approach to light is subtle, avoiding dramatic contrasts in favour of a balanced, atmospheric quality. The inclusion of the mill and the domestic animals suggests a pastoral narrative, common in the art of the Low Countries during this time. The work reflects the period's interest in the observation of rural life and the physical environment. By placing the mill at the base of a steep, wooded hill, the artist creates a sense of depth and enclosure. This piece provides a clear example of the technical proficiency found in mid-seventeenth-century Flemish painting, where the depiction of the natural world was a primary concern for artists and collectors alike.