Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A lithograph by Paul Gavarni, "What's with you, Mimie? The damned colic again?" depicts a scene of domestic unease in 19th-century Paris, capturing the subtle gestures and emotions of its characters.
This lithograph by Paul Gavarni (1804-1866) captures a scene of domestic unease. Gavarni, a French artist known for his satirical and observant depictions of Parisian life, presents a vignette titled "What's with you, Mimie? The damned colic again?" The image shows a young woman, possibly named Mimie, draped in a shawl, her head bowed in what appears to be discomfort or distress. Standing beside her is a man with a concerned expression, his posture suggesting a mixture of worry and exasperation. In the background, faint figures add to the sense of a crowded, perhaps tense, environment. Gavarni's skill in capturing human emotion through subtle gestures and facial expressions is evident. The use of light and shadow enhances the dramatic effect, drawing the viewer's attention to the central figures and their interaction. The lithograph is part of a series titled "Masques et Visages" (Masks and Faces), which explores the various roles people play in society and the emotions they conceal or reveal. The work reflects Gavarni's interest in social commentary and his ability to find humour and pathos in everyday situations. The lithograph offers a glimpse into the social dynamics of 19th-century Paris, inviting viewers to consider the complexities of human relationships and the challenges of domestic life.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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Paris's most stylish caricaturist, imprisoned for debt, then turning to the London poor after his marriage collapsed
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