Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.










A romantic watercolour from Edward Burne-Jones' 'The Flower Book', 'With the Wind' depicts two figures swept away by a gust of wind, rendered in delicate lines and a muted palette. A beautiful example of Pre-Raphaelite symbolism.
This ethereal watercolour, 'With the Wind', is part of the series 'The Flower Book' by the celebrated Pre-Raphaelite artist Edward Burne-Jones. Created posthumously in 1905 from Burne-Jones' designs, 'The Flower Book' comprises 38 watercolour designs, each linked to a specific flower and imbued with symbolic meaning. 'With the Wind' depicts two figures, seemingly lovers, entwined and swept along by a powerful gust. The figures are rendered in delicate, flowing lines and a muted palette of blues, golds, and creams, evoking a sense of dreamlike serenity and romantic melancholy. The circular composition, reminiscent of a medieval roundel, adds to the work's timeless quality. Burne-Jones was a key figure in the Aesthetic Movement, which championed 'art for art's sake' and sought to create beauty in all aspects of life. His works often explored themes of love, mythology, and spirituality, drawing inspiration from classical literature and medieval art. 'With the Wind' exemplifies these interests, offering a glimpse into a world of poetic symbolism and refined elegance. As a fine art print, this piece brings a touch of Pre-Raphaelite romance and artistic sophistication to any interior, lending a sense of quiet contemplation and timeless beauty to your home.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Edward Burne-Jones, a leading light of the second wave of the Pre-Raphaelite movement, wasn't born into an artistic family. In fact, his early life pointed towards a career in the church. But a meeting with William Morris while studying theology at Exeter College, Oxford, set him on a different path. The pair were captivated by medieval legends and the Romantic poets, and together they abandoned their religious aspirations to pursue art and design. Burne-Jones, under the mentorship of Dante Gabriel Rossetti, quickly developed a distinctive style characterized by ethereal figures, rich colours, and a deep sense of melancholy. Burne-Jones's artistic vision extended beyond painting. He embraced decorative arts, creating stained glass, tapestries, and furniture, often in collaboration with William Morris's firm, Morris & Co. His designs adorned churches, country houses, and public buildings, embodying the Pre-Raphaelite ideal of integrating art into everyday life. Though he never formally joined the Pre-Raphaelite Brotherhood, his aesthetic sensibilities aligned perfectly with their principles, and he became one of the most influential artists of the late 19th century. His notable works, such as 'The Beguiling of Merlin', 'Love Among the Ruins', and the 'Perseus Cycle', showcase his masterful storytelling and symbolic language. Burne-Jones's art offered an escape from the industrialised world, inviting viewers into a realm of beauty, myth, and poignant emotion. His influence rippled through the Symbolist movement, inspiring artists to explore the inner landscapes of the human psyche.
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