Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A triptych woodblock print by Kitagawa Utamaro, depicting a scene of everyday life in the Japanese countryside. The print captures the beauty and labour of the people during the Edo period.
This triptych woodblock print by Kitagawa Utamaro (1753-1806) captures a scene of everyday life in the Japanese countryside. Utamaro was a master of the Ukiyo-e style, known for his depictions of women (bijin-ga), actors (yakusha-e), and scenes from urban life. His work often focused on the beauty and grace of women, and he was one of the most celebrated artists of the Edo period. The print is divided into three panels, each depicting a different group of figures. The left panel shows women walking along a path, with birds flying overhead. The centre panel features women near a stream, one kneeling to wash something in the water. The right panel shows women preparing food, with one using a large mortar and pestle. A man is present in the centre panel, kneeling by the stream. The figures are rendered with delicate lines and subtle colours, typical of Utamaro's style. The composition is carefully balanced, with each panel contributing to the overall narrative. The print offers a glimpse into the daily lives of people in the Japanese countryside during the Edo period, capturing both the beauty and the labour of their existence.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
inventing the close-up portrait in Japanese printmaking, turning Edo shopgirls into celebrities, and being manacled for fifty days over a print of the wrong ruler
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