"... Yes my dear [meat (lit.)] Auguste. I am decidedly arrested in the heart so much that my rascal of a director will have half left it..., p. 41" - Paul Gavarni
Archival giclée
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Made to order
Description
A lithograph by Paul Gavarni, this print depicts two figures in an interior setting, showcasing the artist's detailed linework and talent for capturing human expression.
This lithograph by Paul Gavarni (1804-1866), a French caricaturist, is a study of two figures in an interior setting. Gavarni, born Hippolyte Guillaume Sulpice Chevalier, was known for his satirical and observant depictions of Parisian life. He contributed to various journals, including *Le Charivari*, where his lithographs gained popularity. His work often captured the nuances of social interactions and the fashions of his time. The image shows two figures, one seated upright and the other leaning forward, possibly writing or examining something on a surface before them. The setting appears to be a bedroom, suggested by the draped fabric behind the figures. Gavarni's style is characterised by fine, detailed linework, creating a sense of depth and texture. The composition is intimate, drawing the viewer into the private moment between the two figures. The lithograph is an example of Gavarni's skill in capturing human expression and social commentary through his art.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
"... Yes my dear [meat (lit.)] Auguste. I am decidedly arrested in the heart so much that my rascal of a director will have half left it..., p. 41" - Paul Gavarni
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Paul Gavarni
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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