Young Girl in Profile - Félix Vallotton
Archival giclée
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Description
A refined 1891 etching by Félix Vallotton, depicting a young woman in profile with precise, delicate line work.
This etching by Félix Vallotton, dated 1891, captures a young woman in a strict profile view. The composition is restrained, focusing on the sitter's silhouette against a neutral background. Vallotton employs fine, controlled lines to define the contours of the face and the texture of the hair, which is rendered with a sense of volume despite the economy of the medium. The subject wears a simple garment with a high collar, and her gaze is directed away from the viewer, creating a sense of detachment. Vallotton was a member of the Nabis, a group of artists who sought to move beyond traditional representation. While this work adheres to a more conventional portrait format than his later, more radical woodcuts, it demonstrates his technical precision in printmaking. The etching process allows for a delicate tonal range, particularly in the shading of the neck and the soft suggestion of the background. The signature monogram and date are clearly visible in the lower left corner, a common feature in his graphic output during this period. This print reflects the artist's interest in the psychological state of his subjects. By stripping away extraneous detail, Vallotton directs attention to the physical form and the quietude of the moment. The work is an example of his early mastery of line and his ability to convey character through minimal visual information. It remains a representative piece of his graphic work from the 1890s, a decade in which he produced a significant number of prints that helped define his reputation in the Parisian art scene.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Young Girl in Profile - Félix Vallotton
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Félix Vallotton
He moved to Paris at seventeen and studied at the Academie Julian. His woodcuts, made in the 1890s, revived a medium that most printmakers had abandoned in favour of colour lithography. Working in pure black and white, he carved domestic interiors, street scenes, and a series called Intimites: ten prints depicting the private moments of married life, with an emphasis on adultery, deception and the particular loneliness of two people in the same room. The images are flat, graphic and psychologically sharp.
His support for Alfred Dreyfus, the Jewish officer falsely convicted of espionage, strained his relationship with several of the Nabis. He bought a Kodak camera in 1899 and began using photographs as source material for paintings, manipulating compositions into fictionalised versions of observed reality.
He married the daughter of the art dealer Alexandre Bernheim in 1899, which gave him financial security and access to the Parisian art market. He painted nudes, still lifes and landscapes with a smooth, almost clinical finish that disturbed viewers who expected warmth from pictures of naked women.
He wrote three novels and eight plays, none of which were published in his lifetime. His first novel, La Vie Meurtriere (The Murderous Life), appeared posthumously in 1930. He died the day after his sixtieth birthday.
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