A refined etching by Max Liebermann, capturing a young woman in a fur coat with precise, economical line work.

This etching by Max Liebermann captures a solitary figure with the economy of line characteristic of his later graphic work. Produced in 1923, the print demonstrates the artist's ability to convey presence through minimal mark-making. The subject, a young woman wearing a fur coat and a close-fitting hat, stands against a sparse background. Liebermann uses short, hatched strokes to define the texture of the fur and the weight of the fabric, while the surrounding space remains largely untouched, focusing the viewer's attention entirely on the figure.

Liebermann was a central figure in German art during the early twentieth century. While he is often associated with the Impressionist movement, his graphic output frequently leaned towards a more austere, observational style. This work reflects his interest in capturing fleeting moments of urban life. The composition is balanced by a vertical architectural element to the left, which provides a sense of scale and depth without distracting from the central portrait. The figure's posture is relaxed yet attentive, suggesting a brief pause in a public setting.

As a master of the etching medium, Liebermann utilised the plate to create varying degrees of shadow and light. The contrast between the dense, dark lines of the coat and the open, white space of the paper creates a clear visual hierarchy. This print is a fine example of his mature style, where the artist moved away from the detailed realism of his earlier years towards a more subjective and shorthand approach to representation. The work is signed by the artist in the lower margin, confirming its status as a deliberate, finished composition rather than a mere preparatory sketch. It remains a quiet, contemplative piece that invites close inspection of the artist's technical precision.