A portrait by Frederic Bazille from 1870, depicting a woman with a basket of flowers in a balanced, naturalistic composition.

Frederic Bazille painted this work in 1870, the final year of his life. It depicts a young woman positioned behind a basket of flowers, holding a single stem of peonies. The composition balances the figure with the botanical elements, creating a scene that feels both staged and immediate. Bazille, a contemporary of Monet and Renoir, often explored the intersection of portraiture and still life. His approach here avoids the romanticised tropes common in the period, opting instead for a direct, sober presentation of his subject. The palette is grounded by the muted, neutral tones of the background and the woman's simple white garment, which allows the varied colours of the flowers to emerge. The brushwork is controlled, showing a transition from the academic training Bazille received in Paris toward the looser, light-focused techniques that would define the Impressionist movement. The woman's expression is neutral, and her gaze is directed away from the viewer, adding a sense of quietude to the canvas. This painting is a significant example of Bazille's interest in the human figure within a domestic or natural setting. It demonstrates his ability to manage complex textures, from the soft petals of the peonies and tulips to the woven basket and the fabric of the headscarf. The work remains a clear record of his artistic direction before his untimely death during the Franco-Prussian War. By placing the subject in a role that blends the professional flower seller with a more personal, contemplative portrait, Bazille invites the viewer to observe the interplay between the organic forms of the bouquet and the human presence. The painting is held in the collection of the National Gallery of Art in Washington, D.C.