A dual portrait study by Cornelis Pronk, showing the artist in two poses with his portfolio, rendered in graphite and grey wash.

This drawing by the Dutch artist Cornelis Pronk depicts the artist himself in two distinct poses. Pronk, a draughtsman known for his topographical studies and portraits, presents a candid view of his professional identity. In both figures, he is shown standing, holding a large portfolio under his arm, which identifies him as an artist prepared for his work. The use of graphite and grey wash creates a subtle, monochromatic effect that focuses the viewer on the form and posture of the subject rather than colour.

The composition is straightforward, showing the artist in profile and three-quarter view. This dual representation allows for a comprehensive look at his attire, which is typical of the mid-eighteenth century in the Netherlands. He wears a frock coat, breeches, and a tricorn hat, reflecting the standard dress of a gentleman of his time. The lines are precise and controlled, characteristic of Pronk's disciplined approach to drawing. The wash provides soft shading, giving the figures a sense of volume and presence on the page.

Cornelis Pronk was highly regarded for his meticulous attention to detail, a trait visible in the rendering of the fabric folds and the structure of the portfolio. This work offers a glimpse into the life of an eighteenth-century artist, capturing the practical side of his profession. It is a study of self-presentation, showing how an artist might choose to be seen by his contemporaries. The simplicity of the background ensures that the focus remains entirely on the figure, making this a clear example of the portraiture style prevalent in the Dutch Republic during this period. The work is preserved in the collection of the Rijksmuseum, providing a direct connection to the artistic traditions of the Netherlands.