Collection
Paul Gauguin
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Buddha - Paul Gauguin
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Parahi te marae (There Is the Temple) - Paul Gauguin
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Oviri - Paul Gauguin
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Still Life with Apples, a Pear, and a Ceramic Portrait Jug - Paul Gauguin
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Poèmes Barbares - Paul Gauguin
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A Farm in Brittany - Paul Gauguin
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Two Women - Paul Gauguin
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Tahitian Landscape - Paul Gauguin
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The Siesta - Paul Gauguin
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The Large Tree - Paul Gauguin
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Maruru (Offerings of Gratitude) - Paul Gauguin
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Still Life with Fruit and a Jug - Paul Gauguin
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The Call - Paul Gauguin
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The Woman with Figs - Paul Gauguin
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Title of the Smile - Paul Gauguin
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Mahana Atua (Day of the Gods) - Paul Gauguin
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The Universe Is Created - Paul Gauguin
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Mahna No Varua Ino - Paul Gauguin
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Maruru - Paul Gauguin
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Mata Mua (In Olden Times) - Paul Gauguin
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Te raau rahi (The Big Tree) - Paul Gauguin
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Day of the God (Mahana No Atua) - Paul Gauguin
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The Spirit of the Dead Watches - Paul Gauguin
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Ia Orana Maria (We Hail Thee Mary) - Paul Gauguin
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Artist Biography
Paul Gauguin
Eugène Henri Paul Gauguin (1848-1903) was a leading French Post-Impressionist artist whose bold experiments in colour and form synthesised a new, modern style. Though born in Paris, Gauguin spent his early childhood in Peru, an experience that instilled in him a lifelong wanderlust and a fascination with the exotic. He began his career as a stockbroker, only turning to art in his late twenties after being inspired by the Impressionists.
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
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