Buddha - Paul Gauguin
Archival giclée
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Description
A striking woodcut by Paul Gauguin, featuring a meditative Buddha figure rendered in the artist's signature bold, graphic style.
This woodcut by Paul Gauguin reflects his fascination with non-Western religious iconography, a subject he explored extensively during his time in French Polynesia. The composition features a seated figure of the Buddha, rendered with the stark, high-contrast aesthetic characteristic of Gauguin's printmaking practice. By carving directly into the wood block, the artist achieved a raw, tactile quality that emphasises the graphic nature of the medium.
The figure is framed by an arched mandorla, which contains subtle decorative motifs. Gauguin employs a simplified, almost primitive line quality, stripping away unnecessary detail to focus on the meditative posture and the spiritual weight of the subject. The background is heavily textured, created by the deliberate gouging of the wood, which provides a dark, atmospheric contrast to the lighter, carved forms of the Buddha. In the upper left corner, the artist includes his monogram, 'PG', alongside a small circular mark, which serves as a signature element in many of his graphic works from this period.
This print demonstrates Gauguin's interest in the synthesis of diverse cultural influences. He often looked to Javanese and Buddhist art, incorporating these visual languages into his own unique style. The work is not a literal representation of a specific statue, but rather an interpretation filtered through his own artistic lens. The woodcut technique allowed him to experiment with bold shapes and flat planes of colour, moving away from the traditional perspective of European painting. This piece offers a clear view into the artist's technical process and his ongoing dialogue with Eastern philosophy and art, which remained a recurring theme in his later career.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Buddha - Paul Gauguin
Artist Biography
Paul Gauguin
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
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