Eve - Paul Gauguin
Archival giclée
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Description
A striking monotype by Paul Gauguin, featuring a simplified, symbolic depiction of Eve rendered in bold, monochromatic ink.
This monotype by Paul Gauguin presents a stark, monochromatic exploration of the figure of Eve. Executed during his time in Tahiti, the work reflects the artist's departure from traditional European academic standards. Gauguin utilised the monotype process to achieve a textured, almost primitive quality, where the ink sits heavily upon the paper, creating deep contrasts between the dark, silhouetted forms and the pale, unworked background.
The central figure stands in a contemplative pose, her hand raised to her face. To her left, a large, indistinct shape suggests a creature or a symbolic element, while a smaller, profile head appears to the right. These figures are rendered with simplified, bold lines that prioritise expressive weight over anatomical precision. The composition is deliberately flat, rejecting the illusion of three-dimensional space in favour of a decorative, symbolic arrangement.
Gauguin often returned to the theme of Eve, viewing her as a symbol of innocence and the primal state of humanity. In this print, the lack of detail and the rough application of ink contribute to a sense of mystery. The work is not a literal depiction but rather a meditation on myth and origin. The presence of the number 9, enclosed in an oval at the top left, adds an enigmatic layer to the piece, typical of Gauguin's interest in incorporating personal or cryptic signs into his visual language. This print offers a glimpse into the experimental techniques Gauguin employed to push the boundaries of printmaking, moving away from the refined aesthetics of his contemporaries toward a more raw, direct form of visual communication.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Eve - Paul Gauguin
Artist Biography
Paul Gauguin
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
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