Mahana Atua (Day of the Gods) - Paul Gauguin
Archival giclée
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Description
A woodcut by Paul Gauguin, 'Mahana Atua' depicts a scene from Tahitian mythology with simplified figures and stark contrasts, reflecting Gauguin's interest in Polynesian culture and spirituality.
Paul Gauguin's woodcut, 'Mahana Atua' (Day of the Gods), created in 1894, reflects his engagement with Polynesian culture during his time in Tahiti. Gauguin sought to move beyond the confines of European artistic traditions, embracing what he perceived as the more 'primitive' and spiritual aspects of non-Western societies. This print is one of a series of woodcuts and paintings where Gauguin explored Tahitian themes. The composition presents a scene populated with figures and symbolic elements drawn from Tahitian mythology. The figures are rendered with a simplified, almost abstracted quality, typical of Gauguin's style. The use of stark black ink on paper creates a high-contrast image, emphasising the rough texture of the woodcut technique. The scene depicts a blend of human and divine presence, evoking a sense of mystery and otherworldliness. The title itself suggests a focus on the spiritual beliefs and practices of the Tahitian people, which Gauguin aimed to capture in his art.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Mahana Atua (Day of the Gods) - Paul Gauguin
Artist Biography
Paul Gauguin
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
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