The Treaty of Penn with the Indians - Benjamin West
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A detailed 1775 engraving by John Hall after Benjamin West, depicting the historic meeting between William Penn and the Lenape people.
This engraving, executed by John Hall after the original oil painting by Benjamin West, depicts the legendary meeting between William Penn and the Lenape people at Shackamaxon in 1681. West, an American-born painter who achieved great success in London, composed this scene to reflect the ideals of peace and mutual respect often associated with the founding of Pennsylvania. The composition is structured around the central figure of Penn, who stands with an open gesture, engaging with the indigenous leaders.
The scene is set within a clearing, framed by large trees and a distant view of the Delaware River. West employs a balanced arrangement of figures, contrasting the European settlers in their contemporary 17th-century attire with the Lenape people. The inclusion of domestic details, such as the mother and child in the foreground, adds a human dimension to the historical narrative. The engraving captures the fine tonal variations of the original canvas, translating West's dramatic use of light and shadow into a precise monochrome medium.
Commissioned by Thomas Penn, the son of William Penn, the work was intended to bolster the family's reputation and the historical narrative of the colony. While the event itself is often viewed through the lens of myth, the painting remains a significant example of 18th-century history painting. It demonstrates the period's interest in moralising subjects and the idealisation of historical encounters. The print, published by John Boydell in 1775, helped disseminate West's vision to a wider audience, cementing the visual iconography of the treaty for generations. The technical skill of the engraving process preserves the clarity of the figures and the atmospheric quality of the background, making it a fine example of the printmaker's craft during the Georgian era.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Treaty of Penn with the Indians - Benjamin West
Artist Biography
Benjamin West
He was born in Springfield, Pennsylvania, in 1738, a Quaker-raised boy from the colonies who became the second president of the Royal Academy in London, holding the post for twenty-eight years. He arrived in England in 1763 after studying in Italy and quickly gained the patronage of George III, serving as the king's historical painter from 1772 to 1801.
He trained a generation of American painters in London, including Gilbert Stuart, Charles Willson Peale, Samuel Morse and John Trumbull. Each returned to America and shaped the new nation's visual culture. West stayed in London and died there in 1820, at eighty-one.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

