His artistic approach shows the influence of Albrecht Dürer and Lucas van Leyden. He adapted their techniques to develop a personal style. In works such as The Beheading of Saint John the Baptist and Esther before Ahasuerus, he used fine hatching to build form. His compositions often place figures in architectural settings that show his knowledge of perspective. He produced both religious scenes and classical myths. This range of subjects satisfied the tastes of a growing merchant class.

Collectors today appreciate the technical precision of these early prints. The works offer a direct connection to the Northern Renaissance. The monochromatic tones of his etchings suit modern interiors. Prints like Christ as the Man of Sorrows provide a sense of historical weight without the need for bold colour. His work represents a specific moment when printmaking began to rival painting as a primary medium for art.