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True View of the Foreign Buildings along the Waterfront Seen from the Yokohama Wharves (Yokohama hatoba yori kaigandori ijinkan no shinzu) by Hiroshige III
Memorial Monument for Utagawa Hiroshige II by Hiroshige III
Prince Shōtoku killing Moriya no Omuraji for heresy by Yoshitoshi
One Hundred Famous Views of Edo by Ando Hiroshige
Ichikawa Ebizo as Takemura Sadanoshin by Sharaku
Acteur dans un rôle de femme by Utagawa Toyokuni I
Selections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass by Tawara Sōtatsu
Scenes from Sekiya (The Barrier Gate) and Miotsukushi (Channel Markers) chapters of The Tale of Genji by Tawara Sōtatsu
Beautiful Woman and Wall Clock by Nishikawa Sukenobu
Courtesan and Attendant Playing with a Dog by Nishikawa Sukenobu
Ichikawa Ebizō as Kudō Saemon Suketsune by Sharaku
Takiyasha the Witch and the Skeleton Spectre by Utagawa Kuniyoshi

Japanese Artists

27 artists

Japanese art is recognised for its diverse range of styles and media, but is perhaps best known for its woodblock prints (ukiyo-e). Emerging in the Edo period (1615–1868), ukiyo-e prints gained popularity for depicting scenes of everyday life, landscapes, and popular entertainment. Beyond ukiyo-e, Japan has a rich history of painting, sculpture, and calligraphy, with styles ranging from classical to contemporary. Modern and contemporary Japanese artists have also engaged with global movements such as Pop Art and Superflat, while maintaining distinct cultural identities.

Key Movements

11 movements shaped japanese art.

Key Ideas

  • Ukiyo-e prints

    Ukiyo-e, or "pictures of the floating world", emerged during the Edo period (1615–1868) and became a defining aspect of Japanese art. These woodblock prints often depicted scenes from urban life, landscapes, and the entertainment industry, and were accessible to a broad audience.

  • The Kanō School

    The Kanō School was a dominant painting style from the Muromachi period (1336–1573) through the Edo period (1615–1868). Kanō School artists often worked for the shogunate, and were known for their decorative, often monochrome, paintings on screens and panels.

  • Influence of Western Art

    During the Meiji era (1868–1912), Japan opened to Western influences, leading to the adoption of Western painting techniques. This resulted in a division between yoga (Western-style painting) and traditional Japanese styles, as artists experimented with new modes of expression.

  • Pop Art and Superflat

    Post-war Japanese artists engaged with global movements such as Pop Art, while also developing unique styles. Superflat, pioneered by Takashi Murakami, blends traditional Japanese art with contemporary pop culture, creating a distinctive visual language.

Museums in Japan

32 museums.

All Japanese Artists

27 artists.

Frequently Asked Questions

  • What is Japan's greatest contribution to art?
    Japan's most recognisable contribution is the development of ukiyo-e woodblock prints during the Edo period (1615–1868). These prints, depicting scenes of daily life, landscapes, and popular culture, gained international recognition and influenced Western artists.
  • Who are the most important Japanese artists to know?
    Katsushika Hokusai is essential for his iconic ukiyo-e prints, including 'The Great Wave'. Takashi Murakami is another important figure, known for his Superflat style that merges traditional Japanese aesthetics with contemporary pop culture.
  • Which Japanese artist is underappreciated?
    Ogawa Kazumasa, active in the late 19th and early 20th centuries, is an underappreciated figure. He was a pioneer in photography and collotype printing, documenting Japanese culture and landscapes during the Meiji era.
  • When did Japan develop a distinctive national style?
    Japan began to develop a distinctive national style during the Edo period (1615–1868), with the rise of ukiyo-e prints and the flourishing of the Kanō School. This period saw the emergence of uniquely Japanese aesthetics, separate from Chinese influences.

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