Fine Art Poster
From $39
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Composizione in Azzurro - Alberto Magnelli
Regular price
$39.00 USD
Sale price
$39.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A geometric abstract lithograph by Alberto Magnelli, featuring a balanced arrangement of angular forms in shades of blue, brown, and white.
Alberto Magnelli was a central figure in the development of European abstract art. Born in Florence, he moved away from his early figurative experiments to embrace a rigorous, non-representational language. This work, Composizione in Azzurro, demonstrates his mature approach to geometric construction. The composition relies on the interplay of flat planes, sharp angles, and a controlled palette of blues, browns, and off-white tones.
Magnelli often employed a method of layering shapes to create a sense of spatial tension. Here, the dark, hatched forms suggest a structural weight, which is balanced by the lighter, solid blocks of colour. The blue background acts as a unifying field, allowing the geometric elements to appear as if they are suspended in a vacuum. His work from this period reflects a move towards the principles of Concrete Art, where the painting does not refer to external reality but exists as an autonomous object. The lines are precise, and the forms are stripped of unnecessary detail, focusing instead on the relationship between shape, colour, and the surrounding space.
Throughout his career, Magnelli maintained a focus on the clarity of form. His time spent in Paris brought him into contact with other avant-garde artists, yet he retained a distinct approach to abstraction that prioritised architectural stability over fluid gesture. This print captures the essence of his mid-century output, where the balance of positive and negative space becomes the primary subject. The work invites the viewer to observe the interaction of the various geometric components without the distraction of narrative or symbolic meaning. It is a study in order and visual rhythm, characteristic of his contribution to the abstract tradition in the twentieth century.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Composizione in Azzurro - Alberto Magnelli
Regular price
From $39.00 USD
Sale price
From $39.00 USD
Regular price
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Alberto Magnelli
In 1915, while the First World War was dissolving European certainties, Alberto Magnelli painted a series of works in Florence that abandoned representation entirely. His Composizioni (Compositions) of that year, made in direct response to Matisse and the developments he had witnessed in Paris, placed him at the furthest edge of Italian modernism two decades before abstraction became a self-conscious movement in his home country.
Born in Florence in 1888, Magnelli spent time in Paris in the early twentieth century before returning to Italy, where the Composizioni emerged in 1915. He then largely set abstraction aside. The sustained return came in the 1930s: in 1935 he was included in the landmark grouping of Italian non-figurative painters at the second Quadriennale in Rome, the first occasion on which Bogliardi, Ghiringhelli, Reggiani, Licini, Soldati, and Magnelli exhibited together as a collective front. The records note that Magnelli was 'living in Paris' by then: he had already relocated and would remain there for the rest of his life.
In Paris he moved in the circle of Hans Arp and Sonia and Robert Delaunay. He was among the first to identify Nicolas de Stael's talent, alongside Arp and the Delaunays, encouraging the young Russian-born painter before he had found an audience.
His output is catalogued in Anne Maisonnier's catalogue raisonne, Alberto Magnelli: L'Oeuvre peint, published in Paris in 1975. A centenary exhibition was held at the Palais des Papes in Avignon in 1988. He died in 1971.
Born in Florence in 1888, Magnelli spent time in Paris in the early twentieth century before returning to Italy, where the Composizioni emerged in 1915. He then largely set abstraction aside. The sustained return came in the 1930s: in 1935 he was included in the landmark grouping of Italian non-figurative painters at the second Quadriennale in Rome, the first occasion on which Bogliardi, Ghiringhelli, Reggiani, Licini, Soldati, and Magnelli exhibited together as a collective front. The records note that Magnelli was 'living in Paris' by then: he had already relocated and would remain there for the rest of his life.
In Paris he moved in the circle of Hans Arp and Sonia and Robert Delaunay. He was among the first to identify Nicolas de Stael's talent, alongside Arp and the Delaunays, encouraging the young Russian-born painter before he had found an audience.
His output is catalogued in Anne Maisonnier's catalogue raisonne, Alberto Magnelli: L'Oeuvre peint, published in Paris in 1975. A centenary exhibition was held at the Palais des Papes in Avignon in 1988. He died in 1971.
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From $119
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like