A refined woodcut by Aristide Maillol depicting a scene from the classical romance of Daphnis and Chloe.

This woodcut by Aristide Maillol depicts a scene from the ancient Greek pastoral romance, Daphnis and Chloe. Maillol, primarily known for his sculpture, applied his interest in classical form to the medium of the woodcut with great clarity. The composition features the two lovers resting amidst grapevines, a visual reference to the harvest setting of the narrative.

Maillol employs a reductive approach to line, stripping away unnecessary detail to focus on the essential contours of the figures. The white lines of the figures and the surrounding foliage emerge from a dark, solid background, creating a stark contrast that defines the forms. The figures are rendered with a sense of weight and volume, characteristic of the artist's sculptural practice. The drapery of their garments is simplified into fluid, rhythmic lines that follow the curves of their bodies.

This work was produced for a limited edition publication of Longus's Daphnis and Chloe, a project that occupied Maillol for several years. His approach to the woodcut is traditional, relying on the physical interaction between the carved block and the paper. The resulting image possesses a quiet, timeless quality, reflecting the artist's admiration for classical antiquity. The figures are positioned in a relaxed, reclining posture, suggesting a moment of respite during the agricultural labour described in the text. By focusing on the physical presence of the characters, Maillol avoids narrative clutter, allowing the viewer to engage directly with the form and the interplay of light and shadow. This print is an example of the artist's ability to translate his three-dimensional sensibilities into the two-dimensional plane of the printed page.