Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.










Nicolas Poussin's "Et in Arcadia ego" (c. 1637-1638) is a Baroque masterpiece, a poignant meditation on mortality set within an idyllic landscape. This classical scene brings intellectual depth and timeless beauty to any space.
Nicolas Poussin's "Et in Arcadia ego" is a seminal work of the French Baroque, painted circa 1637-1638. The title, Latin for "Even in Arcadia, there am I," is a memento mori, a reminder that death exists even in idyllic settings. The painting depicts three shepherds and a woman, likely a shepherdess, gathered around a simple tomb. One shepherd kneels, tracing the inscription, while the others contemplate its meaning. The serene landscape, bathed in a soft, golden light, contrasts with the sombre message, creating a poignant meditation on mortality. Poussin's classical style, characterised by balanced composition, clear forms, and harmonious colours, reflects his deep study of ancient art and philosophy. This painting exemplifies the Baroque interest in dramatic narrative and emotional intensity, tempered by a classical sense of order and restraint. As a fine art print, "Et in Arcadia ego" brings a touch of intellectual depth and timeless beauty to any space. Its muted colour palette and contemplative subject matter make it a sophisticated addition to a living room, study, or hallway, inviting viewers to reflect on the transience of life and the enduring power of art.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Nicolas Poussin, a master of French Classicism, brought order and intellectual rigour to painting, drawing inspiration from antiquity.
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