A delicate 1913 etching by Lovis Corinth, capturing a female figure through expressive, calligraphic line work.

This etching by Lovis Corinth, produced in 1913, originates from the portfolio titled Seven Etchings. Corinth, a central figure in the transition from late nineteenth-century academicism to the more subjective approaches of the early twentieth century, demonstrates his mastery of the graphic medium here. The work captures a female figure in a seated, reclined posture, rendered with a sense of immediacy that characterises his later graphic output.

Corinth employs a calligraphic line quality, where the pressure of the needle varies to suggest volume and shadow without the need for dense cross-hatching. The economy of the mark-making allows the white space of the paper to function as an active element of the composition, defining the form of the body through suggestion rather than rigid outline. The figure appears caught in a moment of repose, with the artist focusing on the anatomical tension and the natural curve of the limbs.

By 1913, Corinth had moved away from the polished, historical subjects of his earlier career, favouring a more personal and direct mode of expression. This etching reflects that shift, prioritising the physical sensation of the subject over descriptive detail. The work is a study in movement and light, demonstrating how a few well-placed strokes can convey the weight and presence of the human form. As a print, it retains the spontaneity of a sketch, providing insight into Corinth's process and his ability to capture the essence of a pose with minimal intervention. The composition is balanced, drawing the eye to the central figure while maintaining a sense of openness within the frame.