Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

Alberto Magnelli's 'Incantation' is an abstract composition featuring geometric shapes and dynamic colour relationships. This work exemplifies Magnelli's exploration of non-representational forms and his contribution to the abstract art movement.
Alberto Magnelli, an Italian artist (1888-1971), is known for his contributions to abstract art. Initially influenced by Cubism and Futurism, Magnelli moved towards pure abstraction in the 1930s. His work explores geometric forms, colour relationships, and the interplay between shapes and space. He was associated with the Parisian art scene and exhibited alongside other abstract artists. Magnelli's art is characterised by its non-representational nature, focusing on the formal elements of painting rather than depicting recognisable subjects. 'Incantation' exemplifies Magnelli's abstract style. The composition features a series of geometric shapes arranged in a dynamic and somewhat enigmatic manner. A central, hourglass-like form dominates the composition, rendered in pale yellow and white with a vertical dark brown line bisecting it. This central element is framed by angular shapes in red, blue, and green, creating a sense of depth and spatial ambiguity. The background is divided into planes of grey, black, and red, further enhancing the abstract quality of the work. The painting's title, 'Incantation', suggests a sense of ritual or magic, hinting at the artist's intention to evoke a spiritual or emotional response through purely abstract means.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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Florentine pioneer of abstraction who made non-figurative Compositions as early as 1915 and spent his mature career at the centre of the Paris abstract circle.
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