A fine engraving by Raphael Morghen depicting Lady Hamilton as Thalia, the Muse of comedy, based on a painting by Angelica Kauffman.

This engraving by Raphael Morghen depicts Emma, Lady Hamilton, in the guise of Thalia, the Muse of comedy. The composition is based on an original painting by Angelica Kauffman, capturing the subject in a theatrical pose. Lady Hamilton holds a comic mask aloft, a traditional attribute of the Muse, while her gaze meets the viewer with a composed expression. Her attire consists of flowing, classical drapery, reflecting the period interest in antiquity and the aesthetic ideals of the late eighteenth century.

Morghen, a master of the burin, employs precise line work to render the textures of the fabric and the subtle gradations of light across the figure. The background features heavy, draped curtains that frame the subject, adding a sense of depth and dramatic staging to the portrait. The lower margin includes a Latin inscription, which compares the beauty of the subject to the ancient representation of the Muse. This print demonstrates the technical skill of the Italian school of engraving, which sought to translate the painterly qualities of oil works into the monochromatic medium of the copperplate.

Emma Hamilton was a frequent subject for artists of her time, known for her 'attitudes', which were a series of performative poses inspired by classical sculpture and painting. This work captures that performative quality, presenting her not merely as a sitter, but as an embodiment of a classical figure. The print serves as a record of the intersection between portraiture, theatre, and the Neoclassical revival that defined much of European visual culture at the turn of the nineteenth century. The attention to detail in the folds of the garment and the delicate rendering of the facial features demonstrate the high level of craftsmanship associated with Morghen's output.