Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Landscape with the Flight into Egypt - Aelbert Cuyp
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A serene pastoral scene by Aelbert Cuyp, featuring the Holy Family in a golden, sun-drenched Dutch countryside.
Aelbert Cuyp, a master of the Dutch Golden Age, produced this work during a period when he refined his approach to light and atmospheric perspective. The composition depicts the biblical narrative of the Flight into Egypt, yet the subject is secondary to the expansive, golden-hued environment. The scene is bathed in the warm, low-angled light characteristic of the artist, which unifies the foreground figures with the distant, hazy horizon. To the left, the Holy Family travels on a donkey, moving through a quiet, rural setting. The right side of the canvas is dominated by a cluster of trees, their dark, silhouetted forms providing a contrast to the luminous sky. Beneath these trees, figures and cattle rest near a wooden bridge, adding a sense of everyday life to the religious theme. The distant town, rendered with soft, muted tones, suggests a Mediterranean influence, a common stylistic choice for Dutch painters of the era who sought to evoke an idealised, classical atmosphere. Cuyp was particularly skilled at capturing the transition between the immediate foreground and the far distance. He used a subtle gradation of colour, moving from the earthy browns and greens of the path to the pale blues and yellows of the sky. This technique draws the eye across the scene, creating a sense of depth without relying on rigid geometric perspective. The painting reflects the period's interest in the interplay between human activity and the natural world, presenting a calm, harmonious vision of the countryside. The brushwork is precise yet fluid, allowing for the textures of the foliage and the soft glow of the sun to emerge with clarity. This print captures the specific tonal qualities of the original oil painting, preserving the atmospheric depth that defines Cuyp's work.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Complete The Look
Landscape with the Flight into Egypt - Aelbert Cuyp
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Aelbert Cuyp
Cuyp may have stopped painting when he got married. He married Cornelia Bosman in 1658, and his recorded output drops to almost nothing after that date. The following year he became a deacon of the Reformed Church. When he died in 1691, no paintings by other artists were found in his home. It is an unusual biography: a major painter who apparently chose civic and religious life over art with two decades still to live.
He was born in Dordrecht in 1620, the most gifted member of a family of artists. His father Jacob Gerritsz Cuyp taught him; his uncle Benjamin and grandfather Gerrit were stained glass cartoon designers. His early landscapes were conventional, but in the mid-1640s he absorbed the golden, Italianate light of painters who had travelled to Rome, particularly Jan Both, and transformed his palette. The result was a body of riverside scenes bathed in warm early morning or late afternoon light that became his signature: cows standing in water, boats on the Maas, herdsmen silhouetted against amber skies.
He rarely dated his works, which has made reconstructing his career difficult. A large number of paintings attributed to him are probably by other hands, particularly Abraham Calraert, whose initials A.C. invite confusion. Cuyp was almost forgotten for two generations after his death, then was rediscovered in the late eighteenth century by British collectors, who bought so enthusiastically that the National Gallery in London holds more of his work than any Dutch museum.
He is thought to have painted Landscape with Cattle at around nineteen, showing precocious command of the golden tonality that would define his maturity. He died in Dordrecht in 1691, at seventy-one.
He was born in Dordrecht in 1620, the most gifted member of a family of artists. His father Jacob Gerritsz Cuyp taught him; his uncle Benjamin and grandfather Gerrit were stained glass cartoon designers. His early landscapes were conventional, but in the mid-1640s he absorbed the golden, Italianate light of painters who had travelled to Rome, particularly Jan Both, and transformed his palette. The result was a body of riverside scenes bathed in warm early morning or late afternoon light that became his signature: cows standing in water, boats on the Maas, herdsmen silhouetted against amber skies.
He rarely dated his works, which has made reconstructing his career difficult. A large number of paintings attributed to him are probably by other hands, particularly Abraham Calraert, whose initials A.C. invite confusion. Cuyp was almost forgotten for two generations after his death, then was rediscovered in the late eighteenth century by British collectors, who bought so enthusiastically that the National Gallery in London holds more of his work than any Dutch museum.
He is thought to have painted Landscape with Cattle at around nineteen, showing precocious command of the golden tonality that would define his maturity. He died in Dordrecht in 1691, at seventy-one.
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Premium Box Frame
From $169
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
Canvas
From $59
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
Framed Canvas
From $175
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
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Artist Biography
Aelbert Cuyp
Cuyp may have stopped painting when he got married. He married Cornelia Bosman in 1658, and his recorded output drops to almost nothing after that date. The following year he became a deacon of the Reformed Church. When he died in 1691, no paintings by other artists were found in his home. It is an unusual biography: a major painter who apparently chose civic and religious life over art with two decades still to live.
He was born in Dordrecht in 1620, the most gifted member of a family of artists. His father Jacob Gerritsz Cuyp taught him; his uncle Benjamin and grandfather Gerrit were stained glass cartoon designers. His early landscapes were conventional, but in the mid-1640s he absorbed the golden, Italianate light of painters who had travelled to Rome, particularly Jan Both, and transformed his palette. The result was a body of riverside scenes bathed in warm early morning or late afternoon light that became his signature: cows standing in water, boats on the Maas, herdsmen silhouetted against amber skies.
He rarely dated his works, which has made reconstructing his career difficult. A large number of paintings attributed to him are probably by other hands, particularly Abraham Calraert, whose initials A.C. invite confusion. Cuyp was almost forgotten for two generations after his death, then was rediscovered in the late eighteenth century by British collectors, who bought so enthusiastically that the National Gallery in London holds more of his work than any Dutch museum.
He is thought to have painted Landscape with Cattle at around nineteen, showing precocious command of the golden tonality that would define his maturity. He died in Dordrecht in 1691, at seventy-one.
He was born in Dordrecht in 1620, the most gifted member of a family of artists. His father Jacob Gerritsz Cuyp taught him; his uncle Benjamin and grandfather Gerrit were stained glass cartoon designers. His early landscapes were conventional, but in the mid-1640s he absorbed the golden, Italianate light of painters who had travelled to Rome, particularly Jan Both, and transformed his palette. The result was a body of riverside scenes bathed in warm early morning or late afternoon light that became his signature: cows standing in water, boats on the Maas, herdsmen silhouetted against amber skies.
He rarely dated his works, which has made reconstructing his career difficult. A large number of paintings attributed to him are probably by other hands, particularly Abraham Calraert, whose initials A.C. invite confusion. Cuyp was almost forgotten for two generations after his death, then was rediscovered in the late eighteenth century by British collectors, who bought so enthusiastically that the National Gallery in London holds more of his work than any Dutch museum.
He is thought to have painted Landscape with Cattle at around nineteen, showing precocious command of the golden tonality that would define his maturity. He died in Dordrecht in 1691, at seventy-one.
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