Le Jardinier - Gustave de Smet - Poster

Le Jardinier - Gustave de Smet

Sale price$39.00
Product: Fine Art Poster
Size: Small Square (30x30 cm)
Frame: -
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A figurative painting by Gustave de Smet titled 'Le Jardinier' depicts a gardener with his dog in a simplified rural setting, rendered in bold outlines and a muted palette.

Gustave de Smet (1877-1943) was a Belgian painter associated with the Flemish Expressionism movement. His work often features simplified forms and a distinctive colour palette, reflecting the influence of Cubism and Expressionism. De Smet's paintings frequently depict scenes of rural life and portraits, characterised by a sense of melancholy and introspection. He was part of the second Latem School group of artists, who moved away from impressionism toward expressionism and abstraction. 'Le Jardinier' presents a gardener holding a watering can, accompanied by a dog. The scene is set against a backdrop of simplified houses and trees under a dark blue sky. The artist uses a limited range of colours, with red, green, yellow, and brown dominating the composition. The figures are rendered with bold outlines and simplified shapes, characteristic of de Smet's style. The overall effect is one of quiet contemplation and a connection to the natural world.

Crafted for a Lifetime

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    Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.

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    12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.

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    Each frame is sealed with rigid backing and fixings attached, no extra effort required.

Crafted for a Lifetime — frame exploded view

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The same 200gsm fine art paper and 12-colour giclée process as our museum posters, mounted in a solid wood frame with UV acrylic glaze and rigid backing. Ready to hang.

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What our customers say

Real reviews from real customers

jayne-review-image
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Jayne - Yorkshire
WhatsApp Image 2025-08-22 at 17.52.11
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
Matt - Rutland
nikki
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Nikki - London
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Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Alice - Norfolk

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Gustave de Smet

When war broke out in 1914, De Smet and his friend Frits Van den Berghe fled Belgium together for the Netherlands. The flight transformed both painters. In the Netherlands, exposure to the Bergen School and to Leo Gestel's work converted De Smet from an Impressionist into an Expressionist. He returned to Belgium in 1922 a different artist. He was born in Ghent in 1877. His father Jules was a decorative painter and photographer. He attended the Royal Academy of Fine Arts in Ghent from 1889 to 1896, then joined the artistic community at Sint-Martens-Latem, where he, Constant Permeke and Van den Berghe became the three founders of Flemish Expressionism, the second Latem School. After the war, he settled in Deurle in 1927. His mature paintings depict farmers, fishermen, popular entertainments and working-class women, composed as geometric, puzzle-like arrangements of coloured shapes that fuse Expressionism with Cubism. Village fairs and circus scenes recur frequently, treated with a formal rigour that lifts them out of genre painting into something more structural. His palette, brighter than Permeke's and more structured than Van den Berghe's, gives his Expressionism a decorative quality that softens without weakening the formal discipline underneath. He died in 1943, at sixty-six.