A striking 1898 woodcut by William Nicholson, depicting a news-boy from his iconic London Types series with bold lines and a limited colour palette.

This woodcut originates from the 1898 publication 'London Types', a series produced by William Nicholson in collaboration with the poet W.E. Henley. The work captures a specific social archetype of the late Victorian era: the news-boy. Nicholson employs a restricted palette, relying on bold blocks of black, muted earth tones, and a singular pop of yellow to define the scene. His technique draws inspiration from the aesthetic of traditional woodblock printing, yet he adapts it to a modern graphic sensibility.

The composition focuses on the figure of the boy, who is shown in profile, clutching a bundle of newspapers. The background features a hansom cab, rendered with minimal detail to maintain the focus on the primary subject. Nicholson avoids excessive ornamentation, preferring instead to use stark contrasts and simplified forms to convey the atmosphere of the city. The lines are deliberate, creating a sense of weight and presence that defines the character of the street worker.

Nicholson was known for his ability to distil complex subjects into essential visual components. This print demonstrates his mastery of the woodcut medium, where the physical act of carving informs the final image. The work provides a glimpse into the social fabric of London at the turn of the century, documenting the individuals who populated its streets. By stripping away unnecessary detail, Nicholson creates a graphic representation that remains clear and direct. The print is an example of the graphic design trends of the late 1890s, which favoured bold silhouettes and flat areas of colour. It remains a representative piece of Nicholson's contribution to British printmaking, reflecting his interest in the everyday lives of urban inhabitants.