Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

Alberto Magnelli's 'Lyrical Explosion No. 12' is an abstract composition featuring organic shapes and muted colours. The painting conveys a sense of dynamic movement and energy through its expressive brushwork and interlocking forms.
Alberto Magnelli (1888-1971) was an Italian artist who moved from early experiments with figuration to a mature style of geometric abstraction. He is associated with the Parisian avant-garde, particularly the group Abstraction-Création. His work explores the relationship between form, colour, and space, often evoking a sense of dynamic movement and energy. Magnelli's artistic journey reflects a broader shift in 20th-century art toward non-representational modes of expression. He worked in various media, including painting, collage, and sculpture. 'Lyrical Explosion No. 12' exemplifies Magnelli's abstract style. The composition features a cluster of organic shapes rendered in a palette of muted colours. Forms interlock and overlap, creating a sense of depth and visual complexity. The brushwork is loose and expressive, contributing to the overall feeling of spontaneity. The painting's title suggests an intention to convey emotion and energy through purely abstract means, without reference to recognisable objects or scenes. The work invites viewers to engage with the formal elements of art and to find their own interpretations within the arrangement of shapes and colours.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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Florentine pioneer of abstraction who made non-figurative Compositions as early as 1915 and spent his mature career at the centre of the Paris abstract circle.
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