Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A precise etching by Claude-Ferdinand Gaillard reproducing Jan van Eyck's portrait of a man holding a carnation.
This etching by Claude-Ferdinand Gaillard reproduces the famous portrait by the Early Netherlandish master Jan van Eyck. Gaillard, a French engraver known for his technical precision, captures the austere features of the sitter with remarkable fidelity. The original painting, held in the Gemäldegalerie in Berlin, depicts a man holding a carnation, or pink, which serves as a symbol of betrothal or religious devotion in fifteenth-century iconography.
Gaillard employs a refined etching technique to translate the tonal qualities of the original oil painting into a monochromatic medium. The work demonstrates his ability to render textures, from the soft fur trim of the collar to the weathered skin of the subject. The dark, atmospheric background pushes the figure forward, focusing the viewer on the man's direct gaze and the delicate handling of the flower in his hand. The composition remains faithful to the Northern Renaissance tradition, where attention to physical detail and psychological presence are paramount.
This print was produced for the Gazette des Beaux-Arts, a publication that sought to bring masterworks of European art to a wider audience through high-quality reproductive prints. Gaillard was highly regarded during his lifetime for his ability to interpret the works of old masters, often spending months on a single plate to ensure the accuracy of every line. By stripping away the colour of the original, the etching invites a closer examination of the draughtsmanship and the structural integrity of the portrait. It is a study in light and shadow, demonstrating the capabilities of the etching process to convey the gravity of a historical subject. The inclusion of the original title, L'Homme à l'oeillet, and the reference to the Suermondt collection, situates this piece within the nineteenth-century tradition of art historical documentation and connoisseurship.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
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