Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.





Edvard Munch's 'Man's Head in Woman's Hair', created in 1897, is a Symbolist portrait rendered in woodcut and watercolour. The work explores themes of human relationships and psychological states through its stark composition and melancholic figures.
Edvard Munch, a Norwegian painter and printmaker (1863-1944), is best known for his emotionally charged works that explored themes of anxiety, love, and death. A significant figure in the development of Expressionism, Munch's art often reflects his own personal struggles and psychological states. His innovative use of colour and distorted forms aimed to convey inner emotional experiences rather than objective reality. 'Man's Head in Woman's Hair', created in 1897, exemplifies Munch's Symbolist approach. The woodcut and watercolour on paper depicts a man's face partially obscured by a woman's flowing hair, set against a reddish-brown background. The faces are rendered with simplified features and a somewhat melancholic expression. The composition is stark and direct, focusing on the psychological relationship between the figures. The inscription 'SPEILET · ANDEN DEL 1897' appears at the top, adding a layer of enigmatic meaning. The work's raw emotionality and unconventional composition are characteristic of Munch's exploration of human relationships and psychological states.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Lost his mother and sister to tuberculosis as a child, painted The Scream at thirty (the figure is hearing it, not making it), and left a thousand paintings to Oslo.
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