Penance - Nicolas Poussin
Archival giclée
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Description
A classical depiction of the biblical scene of Penance, part of Poussin's first Seven Sacraments series.
Nicolas Poussin painted this work as part of his first series depicting the Seven Sacraments, commissioned by his patron Cassiano dal Pozzo. The scene illustrates the biblical account of Christ at the house of Simon the Pharisee, where a woman washes his feet with her tears and dries them with her hair. Poussin organises the composition with a rigorous, architectural clarity that defines his mature style. The figures are arranged in a frieze-like manner across the foreground, echoing the classical relief sculptures he studied in Rome.
The setting is a Roman-style interior, featuring columns and a draped background that frame the central action. Poussin employs a measured use of light and shadow to direct the viewer's attention toward the interaction between Christ and the kneeling woman. The palette consists of muted earth tones, punctuated by the distinct red and yellow garments of the figures, which provide a sense of visual rhythm across the canvas. Every gesture and posture is calculated to convey the gravity of the theological subject matter.
Unlike the more dramatic, emotional works of his contemporaries, Poussin maintains a sense of intellectual detachment. He prioritises order and balance, ensuring that the narrative remains legible. The table, laden with vessels and food, serves as a grounding element, while the surrounding figures react with varying degrees of contemplation or observation. This work demonstrates the artist's ability to synthesise classical antiquity with Christian iconography, a hallmark of his career in Rome. The precision of the drapery and the anatomical accuracy of the figures reflect his dedication to the principles of the French classical tradition, which he helped to establish during the seventeenth century.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Penance - Nicolas Poussin
Artist Biography
Nicolas Poussin
Poussin's artistic vision was rooted in order, reason, and harmony. Unlike the dramatic flair of the Baroque, Poussin sought clarity and balance in his paintings. His meticulously planned compositions, populated with figures inspired by ancient sculpture, evoke a sense of timelessness and moral virtue. Key works like "The Death of Germanicus" and "The Rape of the Sabine Women" exemplify his dedication to historical and mythological subjects, rendered with a controlled palette and precise draughtsmanship.
Although he spent a significant portion of his career in Rome, Poussin's influence on French art was profound. He became a touchstone for generations of artists seeking to emulate his intellectual approach and classical ideals. His legacy extends beyond individual paintings; it encompasses a philosophy of art that values intellect, order, and the pursuit of ideal beauty. Poussin died in Rome in 1665, leaving behind a body of work that continues to inspire awe and intellectual engagement.
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