A detailed 1633 engraving by Lucas Kilian, portraying Andreas Reinhard, a scribe of Augsburg, captured with technical precision and formal elegance.

This engraving by Lucas Kilian, dated 1633, depicts Andreas Reinhard, a scribe for the city of Augsburg. Kilian, a member of a prominent family of engravers based in Augsburg, demonstrates his technical mastery through the precise application of cross-hatching and line work to define the textures of the subject's attire. The portrait captures Reinhard in a three-quarter view, wearing a large, pleated ruff collar and a doublet with patterned fabric. His hand rests upon the hilt of a sword, a common attribute in seventeenth-century portraiture to denote status and civic authority.

The composition is framed by a Latin inscription at the top, which reads 'Mihi autem adhaerere Deo bonum est' (It is good for me to draw near to God), reflecting the religious and moral values of the period. Below the portrait, a secondary inscription identifies the sitter as a scribe of the Republic of Augsburg and acknowledges the artist's dedication of the print. The background features a subtle, grid-like pattern that provides depth without distracting from the central figure. Kilian's approach to portraiture during this era relied on a balance between formal representation and the display of the engraver's skill in rendering fabric, lace, and metalwork. The work serves as a record of the administrative class in early modern Germany, documenting both the fashion of the time and the professional identity of the sitter. The clarity of the lines and the controlled tonal range are characteristic of Kilian's mature style, which helped establish the reputation of the Augsburg school of printmaking during the early seventeenth century.