Portrait of James Christie - Thomas Gainsborough
Archival giclée
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Description
A 1778 oil portrait by Thomas Gainsborough depicting James Christie, the founder of the renowned auction house, captured in a relaxed, professional pose.
Thomas Gainsborough painted this portrait of James Christie, the founder of the famous auction house, in 1778. The work captures Christie in a relaxed, informal pose, leaning against a framed painting. This composition suggests a professional connection between the artist and the sitter, as Christie was a frequent promoter of Gainsborough's work in the London art market.
Gainsborough employs his characteristic fluid brushwork, particularly in the rendering of the sitter's coat and the lace cravat. The palette is dominated by warm, earthy tones, contrasted against a deep red curtain in the background. This choice of colour provides a sense of depth and focus, drawing the eye to Christie's face and his steady, confident expression. The inclusion of the framed painting at the bottom left serves as a visual reference to Christie's occupation, grounding the portrait in his professional identity.
The painting is a fine example of 18th-century British portraiture, where the artist sought to balance formal representation with a sense of the sitter's personality. Gainsborough avoids the rigid formality often found in the works of his contemporaries, opting instead for a more spontaneous approach. The light falls softly across the subject, creating subtle transitions between shadow and highlight. This technique gives the figure a sense of presence and volume. The portrait remains a significant record of the relationship between the painter and the man who helped shape the commercial art world of the period. It is currently held in the collection of the J. Paul Getty Museum.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of James Christie - Thomas Gainsborough
Artist Biography
Thomas Gainsborough
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
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