Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.


A portrait of Berthe Morisot's niece, 'Portrait of Paule Gobillard' exemplifies the artist's Impressionistic style. Loose brushwork and a soft palette capture a sense of intimacy and immediacy.
Berthe Morisot's oil on canvas, 'Portrait of Paule Gobillard', presents a sensitive depiction of the artist's niece. Gobillard, also a painter, is shown seated outdoors, her figure rendered with the loose brushwork characteristic of Impressionism. She wears a wide-brimmed hat adorned with a flower, casting a shadow across her face. Her dark dress contrasts with the light, airy background of foliage and flowers. Morisot was a central figure in the Impressionist movement, known for her intimate scenes of domestic life and portraits of women. Her work often explores the nuances of light and colour, capturing fleeting moments with a sense of immediacy. This portrait exemplifies her skill in conveying both the physical likeness and the inner character of her subject. The painting's composition is informal, with Gobillard positioned slightly off-centre. The background is not sharply defined, allowing the figure to emerge from the surrounding environment. Morisot's use of colour is subtle, with a palette of greens, blues, and purples creating a harmonious and atmospheric effect. The portrait offers a glimpse into the close relationship between Morisot and her niece, as well as a reflection of the social world of women in late 19th-century France.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
outselling Monet at auction, painting the domestic world the male Impressionists could not access, and having her profession listed as none
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