A detailed 1658 engraving by Theodor Matham, capturing the theologian Timotheus de Sayer with symbolic elements of his scholarly life.

This engraving by Theodor Matham depicts the theologian Timotheus de Sayer. Produced in 1658, the work follows the conventions of seventeenth-century Dutch portraiture, where the subject is presented within an oval frame, surrounded by Latin inscriptions that detail his titles, age, and the date of his passing. The composition is formal and didactic, reflecting the intellectual climate of the period.

De Sayer is shown in three-quarter profile, wearing the traditional clerical attire of the time, including a plain white collar and a dark doublet. His expression is composed, and his gesture of pointing towards a sprig of thorns held in his left hand serves as a symbolic reference to his theological work and the nature of his ministry. Behind him, a stack of books, including a Bible and a breviary, reinforces his identity as a scholar and man of the cloth. The inclusion of a small scroll with the phrase 'Sic Pungit Invidia' adds a layer of moral commentary, common in the portraiture of the era.

Matham, a skilled engraver, employs precise line work to define the textures of the subject's clothing and the subtle modelling of his features. The background remains relatively simple, ensuring the focus remains on the sitter. Below the portrait, a Dutch poem provides a eulogistic summary of de Sayer's life and his devotion to his faith. This print offers a clear view into the visual culture of the Dutch Republic, where portraiture functioned as a means of documenting the lives of prominent figures while incorporating symbolic elements that communicated their professional and moral standing.