A satirical etching from Goya's Los Caprichos series, depicting a performative display of submission between a man and a woman.

This etching and aquatint, titled Quien mas rendido? (Who is more submissive?), is plate 27 from Francisco de Goya's celebrated series, Los Caprichos. Published in 1799, this collection of eighty prints functions as a social critique, targeting the superstitions, vices, and hypocrisies prevalent in Spanish society during the late eighteenth century.

The composition depicts a woman standing with a haughty, detached expression while a man bows before her in an exaggerated posture of devotion. Goya uses the aquatint process to create soft, atmospheric shadows that contrast with the sharp, biting lines of the etching. The scene is populated by secondary figures in the background, their forms rendered with less detail, which draws the viewer's focus to the central pair. A small dog at the woman's feet mirrors the man's submissive stance, adding a layer of biting irony to the interaction.

Goya employs a monochromatic palette, relying on varying densities of tone to define space and volume. The work avoids moralising in a traditional sense, opting instead for a cynical observation of human behaviour and the performative nature of courtship. The title itself poses a question that remains ambiguous, leaving the viewer to determine whether the man's display is genuine or merely a social convention. As a master of the print medium, Goya utilised these works to explore the darker aspects of human nature, moving away from the formal constraints of his earlier court commissions. This print remains a clear example of his ability to capture psychological tension through minimal visual information, reflecting his keen eye for the absurdities of his time.