Standing Nude - Marcel Duchamp
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A 1910 figure study by Marcel Duchamp, featuring a standing nude rendered with bold contours and stark highlights on a neutral ground.
This work, dated 1910, captures a period in the career of Marcel Duchamp before his transition into the conceptual practices for which he is widely known. During this time, Duchamp experimented with various styles, including Fauvism and Post-Impressionism, as he sought to define his own approach to the human form. The figure is rendered with a focus on volume and contour, set against a neutral, textured background that emphasises the physical presence of the subject.
The application of paint is deliberate and economical. Duchamp uses a palette of muted tones, allowing the stark white highlights to define the edges of the body. This technique creates a sense of separation between the figure and the ground, giving the composition a sculptural quality. The posture of the nude, with one leg crossed over the other, suggests a moment of stillness rather than active movement. The brushwork remains visible, indicating the artist's interest in the material properties of the medium during these early years.
Unlike his later, more analytical works, this study demonstrates a traditional engagement with the nude as a subject. It reflects the influence of contemporary European painting, where artists often explored the relationship between light, shadow, and the human silhouette. The work provides insight into the technical foundations of an artist who would soon move away from traditional representation. By focusing on the essential lines of the body, Duchamp simplifies the form, stripping away unnecessary detail to concentrate on the structural integrity of the pose. This print captures the texture of the original cardboard support, maintaining the raw, immediate quality of the initial study.
You might also like
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Standing Nude - Marcel Duchamp
Artist Biography
Marcel Duchamp
He was born near Rouen in Normandy, the brother of the sculptor Raymond Duchamp-Villon and the painter Jacques Villon. The family produced three significant artists, which is unusual. Marcel was the youngest and the most destructive.
His early career moved through Impressionism, Fauvism, and Cubism in rapid succession. Nude Descending a Staircase No. 2 (1912), a Cubist-Futurist painting of fragmented motion, caused a scandal at the New York Armory Show in 1913. One critic called it 'an explosion in a shingle factory'. The painting made Duchamp famous in America before he had set foot there.
He moved to New York in 1915. His contribution to art from this point was largely conceptual. The 'readymades', ordinary manufactured objects designated as art by the artist's choice (a bottle rack, a snow shovel, the urinal), dismantled the idea that art required skill, craft, or even making. The artist's decision was sufficient.
He spent twenty years officially retired from art, playing chess at a competitive level. In secret, he was building Etant Donnes, an installation visible only through two peepholes in a door. It was revealed after his death in 1968 and is permanently installed at the Philadelphia Museum of Art. He had been working on it for twenty years while telling everyone he had stopped making art.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like