Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Still Life, Tin of Tea and Pot of Tobacco - Roger de La Fresnaye
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A 1913 charcoal drawing by Roger de La Fresnaye, featuring a geometric arrangement of household objects in a distinct Cubist style.
Roger de La Fresnaye produced this work in 1913, a period when his engagement with the formal innovations of Cubism reached a high level of clarity. The composition focuses on everyday domestic objects, specifically a tin of tea and a tobacco pot, arranged upon a surface. Rather than attempting a realistic depiction, the artist breaks these forms into geometric components, prioritising the structural relationship between the items over their literal appearance.
The drawing demonstrates a restrained approach to volume and space. La Fresnaye uses charcoal to establish deep, dark shadows that contrast against the lighter areas of the paper. This technique flattens the pictorial plane, a common strategy among artists associated with the Section d'Or group. The lines are deliberate and sparse, defining the edges of the containers and the rectangular forms that anchor the composition. By reducing the objects to their essential shapes, the artist invites the viewer to consider the arrangement as a series of balanced masses rather than a collection of functional items.
This piece reflects the broader experimentation occurring in Paris during the early twentieth century. La Fresnaye maintained a distinct style that bridged the gap between the analytical rigour of early Cubism and a more decorative, lyrical sensibility. The work is devoid of unnecessary detail, allowing the interplay of light and shadow to dictate the visual experience. It serves as an example of how the artist translated the three-dimensional world into a two-dimensional graphic language. The signature and date in the lower right corner confirm its provenance within his 1913 output, a year that marked his transition toward more synthetic forms of expression. The monochromatic nature of the medium emphasises the strength of the composition and the artist's control over tonal values.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Still Life, Tin of Tea and Pot of Tobacco - Roger de La Fresnaye
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Roger De La Fresnaye
Tuberculosis cut La Fresnaye's career in half. He contracted the disease while serving in the French army during the First World War, was discharged in 1918, and spent his remaining years in the south of France, gradually abandoning the Cubism that had made his name and advocating instead for traditional realism. He died in 1925, at forty.
He was born in Le Mans in 1885 into an aristocratic family with an ancestral chateau in Falaise. He studied at the Academie Julian, the Ecole des Beaux-Arts and the Ranson Academy under Maurice Denis, moving from Symbolism to Cubism around 1910. He joined the Section d'Or group in 1912, exhibiting alongside Duchamp, Gleizes and Metzinger at Jacques Villon's studio.
His Cubism was always temperate. He never fully embraced the radical fragmentation of Braque and Picasso, retaining naturalistic colour and recognisable forms that helped popularise the movement without terrifying bourgeois audiences. The restraint was both a strength and a limitation: it made his work accessible, but it meant that the avant-garde moved past him before the war intervened. His colour remained lyrical and warm where analytical Cubism was grey and cerebral. He came from aristocratic stock, painted with aristocratic moderation, and died too young to see whether the moderation would have held.
He was born in Le Mans in 1885 into an aristocratic family with an ancestral chateau in Falaise. He studied at the Academie Julian, the Ecole des Beaux-Arts and the Ranson Academy under Maurice Denis, moving from Symbolism to Cubism around 1910. He joined the Section d'Or group in 1912, exhibiting alongside Duchamp, Gleizes and Metzinger at Jacques Villon's studio.
His Cubism was always temperate. He never fully embraced the radical fragmentation of Braque and Picasso, retaining naturalistic colour and recognisable forms that helped popularise the movement without terrifying bourgeois audiences. The restraint was both a strength and a limitation: it made his work accessible, but it meant that the avant-garde moved past him before the war intervened. His colour remained lyrical and warm where analytical Cubism was grey and cerebral. He came from aristocratic stock, painted with aristocratic moderation, and died too young to see whether the moderation would have held.
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Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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