The Immaculate Conception with Saints - Piero di Cosimo
Archival giclée
Ready to hang
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Made to order
Description
Piero di Cosimo's "The Immaculate Conception with Saints" depicts the Virgin Mary surrounded by saints in a detailed Renaissance setting. The painting blends religious symbolism with naturalistic observation, characteristic of Florentine art.
Piero di Cosimo's "The Immaculate Conception with Saints" presents a scene of religious veneration set within a detailed, almost dreamlike, environment. The Virgin Mary stands elevated on a plinth, bathed in light and positioned centrally beneath the descending dove, symbolising the Holy Spirit. She is surrounded by a group of saints, each rendered with individualised features and expressions, some gazing up at her with reverence, others engaged in quiet contemplation. The figures are draped in robes of red, blue, green, and yellow, their colours contrasting against the pale blue sky. The background is a detailed vista of buildings, trees, and distant hills, rendered with a meticulous attention to detail characteristic of the Early Renaissance. The composition balances the earthly and the divine, placing the sacred figures within a tangible, believable world. The painting's style reflects the influence of Florentine art, with its emphasis on clarity, balance, and naturalistic representation. Piero di Cosimo's work often combines religious themes with elements of fantasy and observation, creating a distinctive and engaging visual experience.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Immaculate Conception with Saints - Piero di Cosimo
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Museum-Quality Materials
Artist Biography
Piero di Cosimo
He was born in Florence around 1462, took the name di Cosimo from his master Cosimo Rosselli, and by 1480 was working as an unpaid apprentice in Rosselli's workshop. He operated outside the official artistic circles of Florentine Renaissance painting, borrowing freely from Leonardo, Signorelli and Netherlandish artists without belonging to any school.
His mythological paintings, many based on Vitruvius's account of human evolution, are filled with hybrid creatures, fantastic landscapes and strange revels. He also painted portraits, including the posthumous bust of Simonetta Vespucci (c. 1480), and excelled at designing pageants and triumphal processions for Florentine festivals. He could discern equestrian battles and urban scenes in the stains on a wall, a habit Leonardo also described. He died in Florence in 1521.
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