Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.





Fra Angelico's fresco 'The Healing of Palladia by Saint Cosmas and Saint Damian' depicts a miraculous healing scene. Painted c. 1438-1445 for the San Marco Monastery in Florence, the work showcases the artist's harmonious colours and graceful figures.
This fresco, titled 'The Healing of Palladia by Saint Cosmas and Saint Damian', was painted by Fra Angelico around 1438-1445. The work is part of a series depicting the lives of the two saints, Cosmas and Damian, who were twin brothers, physicians, and early Christian martyrs. These frescoes were commissioned for the San Marco Monastery in Florence, Italy, a project that occupied Fra Angelico and his workshop for several years. The frescoes in San Marco were intended to serve as visual aids for the monks' contemplation and devotion. The scene shows the saints performing a miraculous healing. The composition is divided into two distinct architectural spaces. On the left, the saints attend to Palladia, who is ill in bed, while on the right, one saint hands a box to a woman. The figures are rendered with a sense of calm and grace, typical of Fra Angelico's style. The colours are soft and harmonious, dominated by reds, blues, and whites. The architectural setting is simple and linear, providing a backdrop for the figures and their actions. The fresco reflects the Early Renaissance interest in perspective and naturalism, although it maintains a sense of stylisation and idealisation.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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a Dominican friar who painted each cell at San Marco with a different scene of Christ, beatified as the patron of artists
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