Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Jewel River of Plovers - Suzuki Harunobu
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A refined Ukiyo-e woodblock print by Suzuki Harunobu, depicting a woman and child by the river, from his series of the Six Jewel Rivers.
This woodblock print by Suzuki Harunobu belongs to his series depicting the Six Jewel Rivers, a classical theme in Japanese poetry and art. The composition features a woman and a child walking along a riverbank, with plovers flying overhead. Harunobu, a pioneer of the nishiki-e (brocade print) technique, utilised multiple woodblocks to achieve a refined colour palette, moving away from the limited two or three-colour prints common in earlier decades.
The figures are rendered with the slender, graceful proportions characteristic of Harunobu's work. The woman wears a kimono with a striped obi, while the child is dressed in a patterned garment. The background is stylised, with the river represented by flowing, rhythmic lines that suggest movement without attempting realistic depth. The inclusion of a poem in the upper left corner connects the visual imagery to the literary tradition of the Six Jewel Rivers, which were celebrated for their beauty and associations with specific locations in Japan.
Harunobu's approach to space is flattened, focusing on the decorative arrangement of the figures against the muted, earthy tones of the riverbank. The print demonstrates the technical precision of the Edo period printmakers, who balanced calligraphic line work with carefully applied colour fields. This work reflects the aesthetic values of the mid-eighteenth century, where the depiction of daily life was often filtered through poetic and historical references. The plovers, or chidori, serve as a visual shorthand for the specific river location, reinforcing the thematic unity of the series. The print remains a clear example of the transition toward full-colour printing in the Ukiyo-e tradition, showing the artist's ability to integrate text and image into a cohesive design.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
The Jewel River of Plovers - Suzuki Harunobu
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Suzuki Harunobu
Suzuki Harunobu did not start his career with the full palette of colours for which he is now known. His early work consisted of simple two-colour prints and mizu-e, or water pictures, which used coloured key blocks instead of black to create a pale appearance. His transition occurred in 1765 when he collaborated with private poetry clubs to produce egoyomi, which were pictorial calendars. These commissions allowed him to use the expensive pigments and heavy paper that defined nishiki-e, or brocade pictures.
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
Made to order
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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