A detailed sixteenth-century etching by Gerard de Jode depicting the biblical scene of the Last Judgement and the defeat of Satan.

This print by Gerard de Jode depicts a complex theological narrative, specifically the casting of Satan into the lake of fire. The composition is divided into two distinct spheres. In the upper portion, a celestial figure sits enthroned upon clouds, surrounded by angels and a gathering of souls. This section conveys a sense of divine order and judgement. The lower portion presents a stark contrast, showing a monstrous figure falling into a turbulent, flame-filled abyss. The scene is contained within a circular frame, a common device in sixteenth-century printmaking to focus the viewer's attention on the central action.

De Jode, a prominent cartographer and printmaker based in Antwerp, utilised the techniques of etching and engraving to achieve fine detail. The line work is precise, allowing for the rendering of textures such as the billowing clouds, the flames, and the musculature of the falling figure. The inclusion of Latin text at the base of the print provides context for the imagery, referencing the biblical narrative of the final defeat of Satan and the liberation of the elect. This work is characteristic of the period's interest in moralising subjects and the dissemination of religious themes through mass-produced prints. The print demonstrates the technical skill of the Antwerp school, which was a centre for European print production during the late sixteenth century. The balance between the orderly celestial realm and the chaotic infernal region creates a visual tension that reflects the dualistic nature of the subject matter. This piece remains a clear example of the graphic arts of the Northern Renaissance, where narrative clarity and technical precision were highly valued.